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Culture Talk: Curator Lauren Haynes on Bringing the Colorful, Abstract Paintings of Alma Thomas to Harlem’s Studio Museum

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ALMA THOMAS, “Snoopy Sees Earth Wrapped in Sunset,” 1970 (acrylic on canvas). | Smithsonian American Art Museum, Gift of the artist; Courtesy Studio Museum in Harlem   AT A TIME WHEN MOST ARTISTS are in the sunset of their careers, Alma Thomas (1891-1978) was on the rise. Recognized for her expressive abstract paintings, her exuberant use of color and the technical acumen with which she executed patterns, she had dedicated herself to her practice a short dozen years when she was first celebrated by major institutions. In 1972, Thomas was the first African American woman to have a solo exhibition at the Whitney Museum of American Art in New York. The landmark show was followed later that year by a retrospective at the Corcoran Gallery of Art in Washington, D.C., where Mayor Walter Washington declared Sept. 9 Alma W. Thomas Day. A remarkable year. She was 80. Born in Columbus, Ga., she was a trailblazer early on. In 1924, Thomas became the first person to earn a fine arts degree from Howard University. She taught for 35 years at Shaw Junior High, a Washington, D.C., public school, and during that time, earned a master’s degree in art education from Columbia University […]

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